ARTICLES:

‘Parallel Narratives: Construction of National Art Histories in Central Europe’, Centropa, co-ed., Anna Brzyski, submissions on Poland (Brzyski), Lithuania (Lauckaite), Germany-Russia (Kochman-see below), Scandinavia (Facos), Hungary (Sarmany) and the Czech Republic (Filipova). Vol. VIII, no.3 (Sept.) 2008.

"Fitting Russian Art into the Western European Canon: Igor Grabar's Answer to Richard Muther in the Article 'Zwei Jahrhunderte Russische Kunst.'" Parallel Narratives: Construction of National Histories in Central Europe.  Centropa. 8:3 (2008), 244-56.

“The Role of Ukrainian Museums in the United States Diaspora in Nationalising Ukrainian Identity,” Studies in Ethnicity and Nationalism, Vol. 8, issue 2, 2008:207-229.

“Ambiguities of Place: Identity and Reminiscence in Marianne Werefkin’s Return Home c. 1909” Nineteenth-Century Art Worldwide, online journal, 19thc-artworldwide.org Spring 2006 [posted on 15 March 2006].

"Kandinsky's 'Secession'," Critical Inquiry, 23 (Summer 1997) pp. 729-737. Translation of his article from Russian into English.

 

REVIEWS:

Review of “Living Modern: German and Austrian Art and Design, 1890-1933’, Smart Museum of Art, University of Chicago, June 7 – September 16, 2007,  caa.reviews online journal, posted 25 Sept. 2007 at caareviews.org.

 Review of Galka E. Scheyer & The Blue Four: Correspondence 1924-1945 by Isabel Wünsche, ed. and trans. (Benteli Verlag (Walbern/Bern). 2006) for Centropa , 8, no.1, Jan. 2008

 

 MUSEUM CATALOGUES:  

"The Permanent Collection," Essay to the catalogue, Ukrainian Institute of Modern Art: Permanent Collection, (Chicago: Ukrainian Institute of Modern Art, 2009 forthcoming) - refereed